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In this portion of DaVinci Resolve Guru, colorist Patrick Inhofer guides you through the way toward moving your timetables into DaVinci Resolve from Premiere Pro, Final Cut Pro X, and Avid Media Composer. This procedure is frequently called "round stumbling" by colorists and editors. Youll discover how to get ready courses of events for fare into DaVinci Resolve, and realize what elements will survive import into Resolve and what components will slaughter the round-stumbling process. 

Youll likewise investigate the idea of accommodating. Accommodating is confirming your course of events in Resolve definitely coordinates the timetable sent out from your non-direct proofreader. In addition, take in the alternatives for sending your shading amended timetable back to your nonlinear editorial manager for conclusive representation and fare. 

Why move your courses of events into Resolve? 

Understanding the round-stumbling process 

Understanding XML 

The contrasts between round-excursion work processes 

The most effective method to check your timetable is foreign made accurately 

Rendering out individual clasps versus rendering out single clasps